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Folkmusic

January 23, 2021 by Crow Johnson Evans 11 Comments

What makes a Home?

PJ (Paul Johnson) and I lived in a real cowman’s cottage, 90 kilometers west of London in Vernham Dean, Andover, Hampshire. The postmaster asked us what we wanted to name the place. Of course, we picked “BagEnd” (because I was short and had fur on the top of my feet.) Well, not exactly.. but the place was similar to this one in the same sweet village.

It was in the late ’60s and early ’70s, that my ex and I were in England. We’d signed contracts for publishing, recording, and performing with a company in London (at #1 Harley Street.) Back then, one or two successful acts could support a whole stable of musicians. We were treated very well…( until we weren’t–But that’s another story.)

Before finding our music business “home”, we squatted for a few months in an abandoned one-room house on stilts. We wrote songs and got to know some musicians in the area. After a great gig at the Round House in London, we came back to our seashore place and all of our stuff had been stolen. There’s nothing like being down to one change of clothes and your instruments to make one get serious. I really liked our squat, but it wasn’t legal. It was so remote, no one could get to us when the tide was in. We were so far from the rest of the world we could rehearse with all our might at any hour of the day or night.

After signing with RingMaker, we were provided a rental cottage, a car, and a recording schedule, etc. The cottage we lived in (legally) no longer had its thatched roof. We cooked on and were heated by a giant pale blue porcelain coal-fired stove nicknamed “Mother Rayburn”. There was a room on the porch that served as a refrigerator. The greengrocer, bread baker, and canned goods guy.. all made house calls and took orders for the following week. The baker was also the filling station and delivered mail. Sometimes we drove into Andover for the farmers’ market. Freshly butchered rabbits hanging upside down in the open air nudged me into vegetarian eating. The landlords left a can of fresh milk on the fence for us. It was a home.

When the company split up and things didn’t go well for us, I knew we would be leaving. I wrote the song “BagEnd” for that cottage– and eventually recorded it on “As the Crow Flies” . James Wilson of Aerie Designs in North Carolina did the cover art. (Thank him many times.)

And just this year an ancient copy of the recordings we made in London…surfaced magically. I’ll get some help to put both versions of that song in this blog.

I’m curious to know if you prefer one to the other.

 

Bag End

Bag End my friend good morning
open eyes to a brand new day
living in the country, dirt road, down-home style

 

Yellow leaves blow ’round, mornings
Birds feed on your window sills
Jackdaws in the field, dirt road, down-home style

Houses build up and tear down
Home is somethin’ else
Soon home will be on the highway
Dreaming of somewhere else.

Pheasants walk by, mornings
They don’t seem to know to hide
Like rabbits in the hedges, dirt road, down-home style

Houses build up and tear down
Home is somethin’ else
Soon home will be on the highway
Dreaming of somewhere else.

Filed Under: Blog, Music, Random Thoughts, Uncategorized Tagged With: BagEnd, Crow Johnson Evans, Folkmusic, London, sweetness of life

December 10, 2020 by Crow Johnson Evans 12 Comments

Great Times.. in reflection.

 

Pj and Crow
Duo Avalon

 

There’s a question I don’t expect people to want to answer. What’re your highest and lowest moments in your life so far? In a couple of my monthly interviews with fabulous people, divorce has been the lowest moment while the thrill of creating art is among their highest moments.

Great. The Universal answer, I concluded. (Not so fast, oh monkey mind.)

Why do we punish ourselves for not knowing the things we need to learn? Rather than accepting my experience, I decided the failure of my first marriage was proof of my obvious inadequacy, lack of value, intelligence, womanhood skills, and a long list of other serious insults. I carried that brand around way too long.

(How do we know what love is until we truly love someone and are loved back? We’re all guessing and looking for examples beyond the fairytale.)

However, I reasoned that a) if I was not fit to love a person one to one, b) I would share my love with people by the hundreds, and c) that the best way to do that might be through music. Ignoring the pseudo-logic, the result did lift my life and begin the joy of solo touring and songwriting.

Not wanting to relive the bad moments, I also avoided remembering the obviously wonderful moments. It was 55 years ago, PJ Johnson and I married.. and hit the road, each with a consuming passion for music, songwriting/performing, and adventures.

This year, Cindy McArthur (the marvelous keeper of Michael Johnson’s website, https://www.mjblue.com/)– unearthed a scratchy, pirated recording of the studio tapes we did in London, England, in 1968 at Olympic Studios.

Did I want them? Yes. Did I want to listen to them? No.

Embedded with the hurtful memories, I assumed that those songs would reduce me to ashes and shame… or some other self-inflicted silly judgment. Those songs must have been terrible, right?

(Nope)

The state of the art in audio-recording was then 2+” wide tape.. and 12 channels! We did not overdub anything.. just played it live. Two voices and two guitars with 3 mics per sound source.

Listening to that ancient recording today,
I am swollen with affection for those moments.

We were married to the music life, but not really suited for each other. For a dozen years, we stayed together. At times it brought out the very best in each of us.

And, oh, the music…

http://crowspun.com/wp-content/uploads/2020/12/Sun-Risin.mp3

Filed Under: Blog, Music, Random Thoughts Tagged With: Folkmusic

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